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  • What is the difference between melisma and lick? - theory
    "Melisma" is used more in relation to classical music; "Lick" is used more in jazz, blues, and rock (i e , improvised music) But they aren't exclusive to those styles, particularly "melisma" Here is a video showing melismatic singing about a few contemporary, popular singers:
  • voice - Does the definition of melisma include the consonant in a . . .
    The definition of melisma is the singing of a single syllable of text while moving between several different notes in succession E g, various pitches on the syllable A or various pitches on the syllable DA So, does melisma mean both DA-DA-DA-DA-DA A-A-A-A-A or DA-A-A-A-A? And if you have examples of the first please provide some links to them
  • What is it called when singers very rapidly change pitch while singing . . .
    Melisma is when a vocalist sings multiple pitches on one syllable When you hear music in this way, you would say that the music is melismatic Coloratura is a "coloring" of musical figuration meant to embellish the musical line In Handel's time, much of the embellishing was improvised over the written line
  • lilypond - melisma extender line up to punctuation mark - Music . . .
    But I want the melisma extender line to go all the way up to the exclamation mark The behaviour is the same for any punctuation mark (! , ?) I tried disconnecting the ! from the melisma and connecting it to the next syllable, like so: \addlyrics { foo __ _ _ !~foo } but then I get this arc I do not want: I consider this an ugly hack
  • notation - Lilypond: How to avoid overshooting melisma in last stanzas . . .
    The lyrics contain melisma (single syllable sung over several notes) For some strange reason the melisma overshoots in the second and third verse, and I cannot seem to understand why this occurs Is this a bug, or can this somehow (elegantly) be avoided? It almost seems like it overshoots to the first note in the third alternative ending
  • Lilypond: multi-bar melisma with extender line in `\lyricmode` context
    However, I'm having trouble getting a long melisma to work in this mode Something like this: is easy to achieve with \lyricsto by using an __ as detailed in the manual here, but I haven't found any reference describing how it might be done with \lyricmode Everything I've tried so far produces errors Here's an example of one of these failures:
  • Lilypond avoid \\melisma code - Music: Practice Theory Stack Exchange
    It depends on the situation You have three paradigms: One is using either slurs or beams or using \melisma (which basically just sets melismaBusy to true) The other one is manually skipping notes using _ in the lyrics The last paradigm is to not actually have the lyrics follow a voice, but to manually specify the duration of each syllable like
  • Lilypond: Whats the right way to represent a song with verses, a . . .
    This produces the following output, where the h __ in the second verse causes the melisma to extend through the first note of the chorus I did find two approaches that worked One was to disable automatic melismata, and then specify the durations manually using the same technique as above; for some reason, though, the duration of the melisma
  • lilypond - melisma extender line minimum length - Music: Practice . . .
    I have this kind of music containing a melisma: \relative { c'4 e8 g4 c a c8 a g2 } \addlyrics { Al -- le Vö -- gel sind schon __ _ da, } I get this: The melisma extender line (after schon) is present, but barely noticeable How do I force it to be longer? (which will result in a larger distance between the two eighth notes, of course)
  • align end of melisma extender line with last melisma note
    I have a melisma defined like so \relative { c'4 e8 g4 c a c8 a g2 } \addlyrics { Al -- le Vö -- gel sind schon __ _ da, } which gives me this output: I want to align the end of the melisma extender line with the last note of the melisma It should look like this:





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